
Go On premiered on Wednesday night after the Olympics — it won’t be back until its regularly scheduled series debut in September — and on a first look, I’d have to say I’ve rarely seen a show with such a gap between the abilities of its cast and the ideas at the heart of the series. Matthew Perry, making another attempt at using his prodigious comedic timing after the ratings failures of Mr. Sunshine and Studio 60 on the Sunset Strip, has surrounded himself with very good performers pushing an odd agenda.
That agenda consists of making fun of support groups that deal, in this instance, in grief. Perry plays Ryan King, a wiseguy sports-talk radio host whose wife died recently. His boss, played by the excellent John Cho in a role that barely registers in the pilot, insisted that Ryan do 10 hours of therapy work before returning to his job. And so we arrived at the organizing family-structure of Go On: the “Transitions” therapy group.
It’s led by the completely charming Laura Benanti (an acclaimed stage actress whom you might also recall on the short-lived Playboy Club) as a therapist who (let’s start counting the ways Go On sets up characters for Ryan and the audience to condescend to, shall we?) has no formal training as a therapist but did work for Weight Watchers. Benanti’s Lauren had to utter humiliating lines about losing “40 pounds and I kept it off” and, when Ryan glances rear-ward, added, “Oh, yeah, it’s good,” as in “I have a great ass” — a response that isn’t just tiresome (don’t most women in sitcoms and reality shows these days seem to have to either brag about or accept compliments about their posteriors?) but also rather out of character for the one that Benanti does a heroic job of establishing.
Read more: http://watching-tv.ew.com/2012/08/08/go-on-matthew-perry/